Fire by George R. Stewart

5/5 stars

What's it about? A lightning strike in the Sierra Nevada creates the wildfire known as Spitcat, which rages over eleven days in this outstanding nail-biter of a nature novel. Though intricate portraits of the firefighters, animal inhabitants, and the forest itself, Stewart crafts a luxurious landscape in which readers will become heartbreakingly invested.

How’d I find it? Fire was the August 2024 selection of the NYRB Classics Book Club, which you absolutely need in your life.

Who will enjoy this book? Fans of The Overstory by Richard Powers or Tarka the Otter by Henry Williamson will not be able to put Fire down.

What stood out? This read utterly enchanted me. Chapters open with a philosophical or historical treatment of fire, including the glorious line “Lightning is the true Prometheus,” before zooming into the happenings of one of the book’s characters, including the Spitcat herself. I couldn’t get enough of John Bartley, the ranger who loves the trees as family, and Judith, the plucky young lookout who first sees smoke. Originally published in 1948, the book suffers from some racist and sexist language, its only weakness.

Which line made me feel something? Stewart’s writing blew my socks off. Take, for example: “Now a fire is more like a shape-shifting monster, stretching out long and encircling arms before it. Now a fire is like a nation, growing weak for a while, and then springing up with a new vigor, as millions of flamelets within it die, or as new flamelets blaze up. But—man or monster or nation—like them all, the fire is the thing-in-itself. It begins, and is, and ends; it is born, and lives, and dies.”

The Singularity by Dino Buzzati

4/5 stars

What's it about? In this slim tale of horror, Ermanno Ismani accepts a government appointment to a top-secret research facility, so secret that no one seems to know where it is and what the scientists actually do there. When Ermanno and his wife Elisa arrive and realize the truth, it may be too late to save themselves.

How’d I find it? After seeing this incredible cover (drawn by the author himself), I signed up for the NYRB Classics Book Club. Hurray for book mail!

Who will enjoy this book? If you agreed with my review of The Invention of Morel or loved that “Be Right Back” episode of Black Mirror, you’ll enjoy The Singularity.

What stood out? This great little story feels modern, speaking to the uncertainties around artificial intelligence with which we’re currently grappling. The reveal of the research project delivers a shock, and Buzzati mounts the horror and tragedy with each page. I found that the narrative style lacked cohesion, but the plotting of this tale means I won’t forget it soon.

Which line made me feel something? From a long monologue by the mad, sad Endriade, lead scientist of military zone 36: “No spending limit, understand? Billions, tossed there in front of me like pebbles, as much as I liked. The old dream. But now…Now I was completely uninterested. That’s how we men are, wretched flesh.”

P. S. My curating skills must be improving, because I’m finding so many 4-star books this summer.

Walkabout by James Vance Marshall

4/5 stars

What's it about? Thirteen-year-old Mary and her little brother Peter are the only survivors of a plane crash in the Australian Outback. Before the elements can overtake the unseasoned American children, they meet an Aboriginal boy completing a rite of passage. A smart novel that challenges prejudice and notions of civilization.

How’d I find it? I will read anything put out by New York Review Books, and I found this title at the ever reliable Powell’s.

Who will enjoy this book? Those who appreciated the classic Picnic at Hanging Rock or its film adaptation will like Walkabout. A close readalike is The Island of the Blue Dolphins by Scott O’Dell, as Walkabout also happens to be an all-ages book.

What stood out? Rich descriptions of nature round out the simple story and create the feel of a journey as our characters seek water, shelter, and food. The book’s brevity—125 pages—serves it well, as Walkabout can be gobbled up in one sitting to allow the reader days (or weeks) to digest its heavier themes of intolerance and miscommunication. Culture and experience distance Mary from the stranger they meet; his nudity and dark skin offend her, and the boy interprets her horror as a bad omen.

Which line made me feel something? I won’t soon forget this terrifying forest: “But around them, choking them to death, coiled the dodders - the predatory vines, sucking the nutriment out of their roots, gripping the trees with tentacles like tightening tourniquets. And intertwined with the dodders were the jikkas: headless, tail-less, rootless, vegetable snakes; growing on and on, from either end, wrapping their vampire arms around anything they touched.”

The Invention of Morel by Adolfo Bioy Casares

4/5 stars

What's it about? Such a cunning little tale that it would be criminal to reveal much. Suffice it to say that a fugitive exiles himself to an island where all is not as it seems. Marvelously executed and funny to boot.

How’d I find it? Thank you, Powell’s! Your generous supply of the outstanding NYRB imprint never disappoints.

Who will enjoy this book? Fans of Ted Chiang, The Portrait of Dorian Gray, or the film Infinity Pool will revel in this novella.

What stood out? Bizarre and tragic, romantic and creepy, The Invention of Morel builds via fantastic turns that gratify the playful mind. Bioy writes a solid tease and knows when to leave the details murky. I felt that the epistolary format didn’t serve the plot, but this is a small gripe.

Which line made me feel something? Hilarious: “We are suspicious of a stranger who tells us his life story, who tells us spontaneously that he has been captured, sentenced to life imprisonment, and that we are his reason for living. We are afraid that he is merely tricking us into buying a fountain pen or a bottle with a miniature sailing vessel inside.”

When We Cease to Understand the World by Benjamín Labatut, translated by Adrian Nathan West

5/5 STARS

What’s it about? Though When We Cease to Understand the World defies easy description, think of it as a treatise about the responsibility of discovery and the cost of our species’ relentless pursuit of knowledge. Labatut takes on this theme through accounts of Fritz Haber, Karl Schwarzschild, Werner Heisenberg, Erwin Schrödinger, and other luminaries as they redefined their disciplines, be it quantum physics or mathematics. Running through the book is an undercurrent of dread as scientific breakthroughs inevitably become tools of war.

How’d I find it? Shout out to Enoch Pratt Free Library for always having the hot titles available. I strolled in to pick up a hold and there this was, waiting.

Who will enjoy this book? When We Cease to Understand the World felt like a book by Milan Kundera, one of my all-time most beloved authors. Labatut’s blend of fiction and history, use of humor, and the slipperiness of madness and obsession hearken back to the Czech master. Fans of Christopher Nolan’s Oppenheimer will also enjoy.

What stood out? Hot damn, this is a good one. Labatut picks apart the insularity of academic research by visiting great minds at work in the battlefields of World War I or at a sanatorium among convalescing patients, settings that highlight the loneliness and mania of genius. The blurry line between fact and fiction keeps the reader unsettled, uncertain — thoroughly effective in a book that feels like a warning.

Which line made me feel something? From the section “Prussian Blue:” “An ingredient in Dippel’s elixir would eventually produce the blue that shines not only in Van Gogh’s Starry Night and in the waters of Hokusai’s Great Wave, but also on the uniforms of the infantryman of the Prussian army, as though something in the colour’s chemical structure invoked violence: a fault, a shadow, an existential stain passed down from those experiments in which the alchemist dismembered living animals to create it”

Generations by Lucille Clifton

4/5 stars

What’s it about? Lucille Clifton sketches her family tree as she journeys with her family to her father’s home for his funeral. Each section is dedicated to one of Clifton’s ancestors, but others crowd in with their own tales and entanglements, mimicking the jockeying and overlappings within any family. Honest, powerful, and brimming with love and pride.

How’d I find it? I found this book by happenstance at Enoch Pratt Free Library and can never resist an NYRB title. This was gobbled up over beers while a football game held surrounding friends rapt.

Who will enjoy this book? At less than 90 pages, Generations is worth any reader’s attention. Folks who liked Memorial Drive by Natasha Trethewey, Homegoing by Yaa Gyasi, and Ordinary Light by Tracy K. Smith, who opens Generations with a beautifully written introduction, will particularly appreciate this title.

What stood out? The structure of the book reinvents the memoir genre. Clifton curates an impactful collage of photos, dialogue, secondhand stories, memories, lines from Walt Whitman, and snippets of her journey to Buffalo. This is the experience of a funeral in real time, recreating the barrage of interconnectedness that loss unleashes, the lore we fall into when surrounded by the people who made us possible.

Which line made me feel something? “Things don’t fall apart. Things hold. Lines connect in thin ways that last and last and lives become generations made out of pictures and words just kept. ‘We come out of it better than they did, Lue,’ my Daddy said, and I watch my six children and know we did.”

Machines in the Head by Anna Kavan

3/5 stars

What's it about? Mental illness, addiction, and ennui haunt this selection of short stories by Anna Kavan. A sinister and strange moan of a book.

How’d I find it? I have heard twitterings among booksellers about Anna Kavan before and was intrigued to find this copy among the offerings at Lost City Books.

Who will enjoy this book? Admirers of Lucia Berlin and The Bell Jar should enjoy, as well as those who seek speculative elements in their literary fiction, such as Kavan’s ever-morphing city that recalls Italo Calvino.

What stood out? The selections from Asylum Piece open the book grimly, salvaged by the strength of later standouts like “A Bright Green Field” and “Face of My People.” The stories benefit from an illuminating forward by editor Victoria Walker about Kavan’s life and influence.

Which line made me feel something? From “Ice Storm:” “The big unbroken trees sprayed like unclear fountains towards the mist. Through the centre of each jet of clouded crystal the black branch was threaded. The trees were lovely and frightening to look at. I tried not to feel afraid of the trees. Dear God, let me not start being afraid of things in the natural world.”