Sharks in the Rivers by Ada Limón

4/5 stars

What's it about? U. S. Poet Laureate Ada Limón embraces the beautiful and ugly of our world in this collection about wildness and humanness. Poems of water, mouths, and wending one’s way.

How’d I find it? I read The Carrying in 2020, and it blew my socks off; I extol and weep over “Instructions on Not Giving Up” at least once a month. Sharks in the Rivers has been high on the list ever since. This copy came from the fabulous poetry section at Multnomah County Central Library.

Who will enjoy this book? Readers of Natasha Trethewey, Ross Gay, and Aimee Nezhukumatathil should like this one.

What stood out? Limón knows her voice, and the book has a cohesive quality that allows the through lines of the work to sing at just the right volume. I admire collections that manage to link all the poems without feeling repetitive or monotone. Limón excels at devastating turns in her shorter pieces, and “Crush” is a prime example.

Which line made me feel something? From “Fifteen Balls of Feathers:” “He was reading backward on the couchette / while the world went by and I was / counting the faces of sunflowers. 1,753,285 yellow fools / thinking they’re going to go on forever.”

Milk by Dorothea Lasky

1/5 stars

How’d I find it? I recently read Lasky’s The Shining and was interested to check out more of her work. This copy came from Multnomah County Library.

Why not 3 or more stars? I appreciated Lasky’s approach to the themes of motherhood and the limitations of the corporeal; the sensuality of her work evokes Lana Del Rey. The piece “There is no name yet” certainly deserves a read. That said, the often singsong quality to the poems and throwaway nature of their logic read as underdeveloped. The style of poetry in Milk is simply not my taste.

Wound from the Mouth of a Wound by torrin a. greathouse

3/5 stars

What's it about? torrin a. greathouse writes the violence and beauty of the queer, trans, disabled, and chronically ill experience. A book of reckoning and blooming.

How’d I find it? I discovered greathouse’s work in an issue of Poetry and have so been looking forward to reading her debut collection. This copy came from Multnomah County Library.

Who will enjoy this book? Fans of Danez Smith and Cameron Awkward-Rich should appreciate, and I think this would also appeal to young adult readers ready to take on darker and more intimate discussions of self-discovery.

What stood out? I wanted this book to pass my “wound” test, especially since the word appears twice in the title. Of course it didn’t. Wound from the Mouth of a Wound is not to blame. The book succeeds at its own objectives, and greathouse’s ear for language and creativity in form attest to an outstanding talent. Take my favorite poems of the collection, “They Leave Nothing for the Morning” and “On Using the Wo│men’s Bathroom.” Bangers. But was the general dictionary of words as expected (teeth and throat and tongue and stars and blood)? Yes. And am I at a stage in my readership in which I prefer books that transcend the experience of the self and its history? Also yes.

Which line made me feel something? Recognizing that excerpting will butcher the poem’s careful line breaks, here’s a snippet from “Abecedarian Requiring Further Examination Before a Diagnosis Can Be Determined:” “Still, inside my body— / kingdom with poisoned wells. I want anything but an elegy / lining my bones. I just want to be a question this body can answer.”

Deaf Republic by Ilya Kaminsky

5/5 stars

What's it about? Citizens of the town of Vasenka refuse to hear after occupying forces murder a deaf child. A powerful story of resistance, community, and the body weaponized.

How’d I find it? Kaminsky gave a moving reading at Folger Shakespeare Library in 2019 as part of the O.B. Hardison Poetry series, and I had to have a (signed) copy. In fact, the reading was so memorable that my spouse and I read large parts of the book aloud together.

Who will enjoy this book? Check out the poets featured in American Journal: 50 Poems for Our Time, also published by Graywolf Press. If you enjoy this brand of poetry, Deaf Republic will speak to you.

What stood out? The poems of Deaf Republic comprise one cohesive narrative, so while many of its poems can be savored solo, you’d be missing out on Kaminsky’s larger achievement. Yes, this is a book of poetry, but it’s also a protest, a play, a puppet show. Deaf Republic juxtaposes the experience of the citizens of Vasenka with that of people not in the throes of unrest (see the oft-quoted “We Lived Happily During the War” that opens the book), and evokes our responsibility as humans to speak out against injustice regardless of where it occurs.

Kaminsky also takes on in this project the illusion of silence — an “invention of the hearing” — and intersperses throughout the book illustrations of the signs that the townspeople use to communicate, functioning as lines or poems in their own right. Deaf Republic serves up poetic forms suited to a variety of performance: on the page, aloud, and signed.

Which line made me feel something? From “A Cigarette:” “You will find me, God, / like a dumb pigeon’s beak, I am / pecking / every which way at astonishment.”

The Narrow Road to the Deep North and Other Travel Sketches by Matsuo Basho, translated by Nobuyuki Yuasa

4/5 stars

What's it about? This trim volume unites five travel sketches by Basho: The Records of a Weather-Exposed Skeleton, A Visit to the Kashima Shrine, The Records of a Travel-Worn Satchel, A Visit to Sarashina Village, and The Narrow Road to the Deep North. Through haiku and reflections on sights encountered, Basho revels in time on the road. Nobuyuki Yuasa’s introduction enriches the reading experience with context about the development of poetics in Japan. A vivid snapshot of the poet’s life.

How’d I find it? My spouse has been imploring me to read this book for years, especially since we spent our honeymoon in Japan. I finally acquiesced.

Who will enjoy this book? This strangely reminded me of the book by Patti Smith I just read. Thich Nhat Hanh is another readalike in tone.

What stood out? The mix of prose and poetry provides a textured account of 17th century Japan and invites you to read outside. I also appreciated the maps in the back of the book for details about Basho’s journeys throughout the country. Bursts of wit surprise throughout the sketches and make for light chuckles.

Which line made me feel something? From The Narrow Road to the Deep North: “Move, if you can hear, / Silent mound of my friend, / My wails and the answering / Roar of autumn wind.”

Sonnets to Orpheus by Rainer Maria Rilke, translated by Christiane Marks

4/5 stars

What's it about? In a span of days, Rilke composed these heady, dreamy sonnets about phases of being, inspired by the death of a young dancer. Brilliant in their form and drenched in gratitude, these poems celebrate life in all its forms, rendered delicately by Marks’s translation.

How’d I find it? A thoughtful gift from my beloved.

Who will enjoy this book? Fans of Greek classics and Seamus Heaney should enjoy.

What stood out? Just as impressive as the burst of inspiration that birthed these poems is the lyricism of every piece, which Rilke intended to be enjoyed aloud. This book is therefore best consumed in heard form — serenade a friend or yourself as you go. You will wish you spoke German to fully appreciate Rilke’s rhyme scheme.

Which line made me feel something? Sonnet 2:1 is a gorgeous meditation on the marvel of breath and opens thus: “Breathing—you invisible poem! / Outer space, continually / exchanged for my own pure being. Counterweight, / site of my rhythmical realization.”

Dark Matter by Aase Berg, translated by Johannes Göransson

4/5 stars

What's it about? Honestly, this is a tough question to answer. Strange, creepy, and savage, Aase Berg describes a transformed world in which the rules of body and boundary have changed. The surreal and consuming poems of Dark Matter challenge the definition of being.

How’d I find it? I bought directly from Black Ocean, the publisher, because I’m fancy sometimes.

Who will enjoy this book? If you appreciate Jeff Vandermeer's Dead Astronauts, Olga Ravn's The Employees, or the body horror of Alex Garland's film Men, you'll get a kick out of Dark Matter.

What stood out? The aftertaste of the poems linger in your mouth — fitting, as mouths are a common theme. I felt unsettled in the best way by this book. Dark Matter portends encroachment and uncertainty that is hard to shake. A bit like Jeff Vandermeer's Area X trilogy.

Which line made me feel something? This stanza from "Strong Bodyfault's Orbit:" "There is no space now for the hold / There is no eye for the hold / the skeleton is beshivered / with surfaces with barbs / hold catatonia"

Autobiography of Red by Anne Carson

5/5 stars

What's it about? Anne Carson reimagines the myth of Geryon, a giant felled by the Greek hero Heracles, who steals Geryon’s cattle as one of the labors imposed upon him by the gods. Is this relevant to your reading? Not really, but it would be a shame to spoil any bit of this devastating novel in verse about love, longing, monsters, mothers, and seeing, so that’s all the context you’ll get. A masterful modern retelling.

How’d I find it? A Northeast Library book sale in DC scored me this read.

Who will enjoy this book? Autobiography of Red is a sumptuous treat for those who revel in ingenuity of form and lustrous language. Readers who loved Edith Hamilton’s Mythology, Ocean Vuong (particularly On Earth We’re Briefly Gorgeous), and Margaret Atwood’s The Penelopiad will appreciate.

What stood out? I was admittedly skeptical about this book, as I didn’t enjoy Carson’s Plainwater (I know, I know). But the knockout language of Autobiography of Red left me breathless. I can’t wait to read this book again and discover what new pangs the words inflict. Buy this book, revisit it, underline heavily. Never have chapter titles done such rich lifting.

Which line made me feel something? I’ll be chewing on this book for days (pity on whatever I read next), but this line in particular from the chapter “From the Archaic to the Fast Self” has me thinking: “Like the terrestrial crust of the earth / which is proportionately ten times thinner than an eggshell, the skin of the soul / is a miracle of mutual pressures.”

Soft Science by Franny Choi

4/5 stars

What's it about? The collection explores the tension between human and human-made, between strength and weakness, control and abandon. Choi's language is rich and intoxicating, a dessert that you finish over several sittings.

How’d I find it? This was a solid birthday gift from my love.

Who will enjoy this book? Fans of contemporary American poets (Hanif Abdurraqib, torrin a. greathouse, Sally Wen Mao, etc.)

What stood out? "Perihelion: A History of Touch" is a standout piece, taking the titles of its various subsections from full moons in the Farmer's Almanac. I am personally skeptical of most books where the word "wound" is used on the first page, as it typically means I'm in store for a book-length exploration of identity — not always the reading experience I'm going for. The craftsmanship of Soft Science makes the appearance of "wound" twice on the first page forgivable. I'm telling you, this is high praise.

Which line made me feel something? There were so many. An example from "A Brief History of Cyborgs:" "Even blood, when it comes down to it, is only a series of rules."