Iron Flame by Rebecca Yarros

1/5 stars

How’d I find it? With much anticipation, I picked up my copy at Atomic Books on publication day.

Why not 3 or more stars? I know. I eviscerated Fourth Wing like a clubtail. Don’t expect much different from Iron Flame. Xaden’s jaw is ticking, Violet is lifting her chin, and Ridoc is clapping people on the back. Repetition of key plot points, characters’ states of mind, and personality traits ensure quick consumption of this book’s 622 pages, with twists served up so gently and obviously that you feel like a genius for having guessed them. I give this five stars for entertainment value and anxiously await the third installment.

The Girls by Emma Cline

2/5 stars

How’d I find it? As a true crime fan, this novel enticed me while browsing at Busboys & Poets after lunch.

Why not 3 or more stars? In 1969, teenage Evie becomes a tangential member of a group that eventually commits horrific acts of violence, a crime that is mercilessly teased over many pages until its ho-hum reveal. Nuggets of interest abound — Russell, the unlikely Pied Piper; the fame and fortune of Evie’s actress grandmother; Evie’s obsession with group member Suzanne; present-day Evie’s reckoning with her past — but all paths peter out. While The Girls wants to say something about female relationships, sexuality, and identity, it doesn’t reach beyond well-trod territory. It excels, however, in head-scratching descriptions of minutiae, such as “breaths like the beads of a rosary.”

A History of Present Illness by Anna DeForest

4/5 stars

What’s it about? A medical student recounts her training as a doctor, meditating on her path to medicine, the failures of modern care, and the mystery of existence. DeForest plays with truth and perception in this odd, dark novel that lingers.

How’d I find it? I had read a review of this book in the New York Times last year and came across it at Enoch Pratt Free Library. I enjoyed this enough to want to buy my own copy to flip through again later.

Who will enjoy this book? The tone, length, and bending of reality in A History of Present Illness reminded me of Fever Dream by Samanta Schweblin, but its ennui shares much with Jenny Offill’s Weather.

What stood out? Every dreary, dreamy book on existence brings something a touch different to the table, and A History of Present Illness serves up the jaded view of a physician reckoning with death, all the more convincing since DeForest is a neurologist herself. I loved how our narrator tells the reader little lies throughout, manipulating and editing her story as she goes. She’s a challenging character through which to experience medical school and residency, and it makes for compelling reading.

Which line made me feel something? “Remember looking in the mirror as a child, saying your name? This face, you’d think, these hands. This house and yard and mother, going to bed without dinner on cabbage night, jumping from the roof of the shed. The bravery of it all, the obvious import. But this is how it ends: surrounded by strangers, your clothes cut off with shears, cold blue hands, and gone then, with your body humiliated and left alone to stiffen.”

Small Game by Blair Braverman

2/5 stars

How’d I find it? I picked up my copy at Greedy Reads, drawn by a mention in a New York Times review of Girlfriend on Mars by Deborah Willis.

Why not 3 or more stars? A new reality TV show called Civilization gathers a group of hopefuls in a remote location so they can eke it out for six weeks to claim a cash prize. The reality television aspects are never developed or explored, main characters remain enigmatic to the end, and the anticipated reveal does not come. What might Braverman have said through Ashley, the contestant who leads with looks and charm, about the price of fame? How could the ill that befalls production have been fleshed out to illustrate the book’s themes of hubris, betrayal, greed, and perseverance? Instead, the book remains fascinated with wilderness skills and languishes with Mara, our disinterested protagonist, at its helm. A survival experiment gone awry makes for a titillating premise, one that Small Game only scratches at.

A Lucky Man by Jamel Brinkley

4/5 stars

What’s it about? Jamel Brinkley’s smartly written debut offers nine snapshots of young people grappling with sexuality, masculinity, race, and family. Set mostly in New York City and its environs, A Lucky Man confronts pain while stoking hope.

How’d I find it? I chanced upon this copy at a book sale at the Chevy Chase Neighborhood Library.

Who will enjoy this book? If you liked Edward P. Jones’ Lost in the City, which centers on DC, and Heads of the Colored People by Nafissa Thompson-Spires, pick up A Lucky Man.

What stood out? I wanted Brinkley’s characters to talk to each other, to hold each other close, to say what they mean. The brothers in “J’ouvert, 1996.” Wolf and his father. But A Lucky Man isn’t about tidy endings. These stories gesture towards beginnings, the moments that define our lives later. Brinkley possesses a delicate ear for storytelling. With rare exceptions (certain moments in “Everything the Mouth Eats” come to mind), he knows exactly when to pull back and when to feed the reader more.

Which line made me feel something? From “Infinite Happiness:” “When you boiled it down, his language had just a handful of words, and few of them made any sense. They evaporated as soon as they left his mouth. He was so confident when he said them, even though his entire store of knowledge and wisdom was suspect. It didn’t matter in the end, because of the way he made you feel.”

Waterlog by Roger Deakin

5/5 stars

What’s it about? Roger Deakin recounts his adventures swimming the waters of Britain in this enchanting diary of nature, humanity, and longing for lost places. A fervent must-read.

How’d I find it? I read an excellent review by Leanne Shapton in Harper’s and rushed out to Solid State Books to buy a copy.

Who will enjoy this book? The following works and writers found in Waterlog offer the perfect readalikes: Robert Macfarlane, who authors this edition’s afterword; Tarka the Otter by Henry Williamson; and The Peregrine by J. A. Baker. I add to these Rob Cowen’s Common Ground, one of my favorite books.

What stood out? Witty and vivid, Waterlog is a book that makes you want to breathe a little deeper and love a little harder. The “endolphins” created by wild swimming — described by Deakin as a revolt against “the official version of things” — stir in me a desire to go out and explore for myself. This book sticks with you, tunes you into yourself and your environment.

Which line made me feel something? “Striking out into the enormous expanse of cold sea, over the vast sands, I immerse myself like the fox ridding himself of his fleas. I leave my devils on the waves.”

How High We Go in the Dark by Sequoia Nagamatsu

3/5 stars

What’s it about? A plague unleashed in 2030 by melting Arctic ice threatens the existence of humans in this ambitious novel about love, human connectedness, and responsibility for our shared future. Linked stories spotlight grief in its many guises via an exciting array of plot devices (space missions and a talking pig and purgatory, among others).

How’d I find it? I periodically check on my favorite authors’ readalikes to get new book ideas, and this came up as a recommendation for David Mitchell readers. And oh boy, do I love David Mitchell books.

Who will enjoy this book? The cover likens How High We Go in the Dark to Station Eleven and Cloud Atlas, but I would recommend it more for fans of The Passage series by Justin Cronin.

What stood out? I loved Nagamatsu’s creative swings. The City of Laughter terrifies in its sugar-coated benevolent executions, and the rise of funerary megacorporations heralds a grim new order. It’s obvious in the writing that Nagamatsu wants us to feel the earnestness of his project, as he doesn’t miss a chance to slather on the sentiment. This book is emo. I would have liked to spend more time in its interesting reality (the purple pendant!) and less in each character’s impending or recent loss.

Which line made me feel something? “I saw tiny vessels breaking free of the planet, great cities floating above in rings of glass. I saw a civilization that could destroy itself before it even reached the nearest star. But I also saw a world that would be the first witness the quiet of intergalactic space and walk on the ruins of whatever remains of us.”

The Narrow Road to the Deep North and Other Travel Sketches by Matsuo Basho, translated by Nobuyuki Yuasa

4/5 stars

What's it about? This trim volume unites five travel sketches by Basho: The Records of a Weather-Exposed Skeleton, A Visit to the Kashima Shrine, The Records of a Travel-Worn Satchel, A Visit to Sarashina Village, and The Narrow Road to the Deep North. Through haiku and reflections on sights encountered, Basho revels in time on the road. Nobuyuki Yuasa’s introduction enriches the reading experience with context about the development of poetics in Japan. A vivid snapshot of the poet’s life.

How’d I find it? My spouse has been imploring me to read this book for years, especially since we spent our honeymoon in Japan. I finally acquiesced.

Who will enjoy this book? This strangely reminded me of the book by Patti Smith I just read. Thich Nhat Hanh is another readalike in tone.

What stood out? The mix of prose and poetry provides a textured account of 17th century Japan and invites you to read outside. I also appreciated the maps in the back of the book for details about Basho’s journeys throughout the country. Bursts of wit surprise throughout the sketches and make for light chuckles.

Which line made me feel something? From The Narrow Road to the Deep North: “Move, if you can hear, / Silent mound of my friend, / My wails and the answering / Roar of autumn wind.”

Year of the Monkey by Patti Smith

2/5 stars

How’d I find it? This was a purchase at Politics & Prose, one of my favorite spots to spend a few hours.

Why not 3 or more stars? Spending time with Smith’s mind is always a pleasure. Wanderlust, curiosity in others, and capacity for wonder season everything she writes, and the result is a companionable literary voice that inspires you to reread a classic or marvel at the worn seat of an idol’s chair. Year of the Monkey counts among the reactionary responses to the 2016 presidential election in the United States, an event that spawned a cohort of creative work marked by outrage and bitterness. Smith’s account of disillusionment with the world melds with her grief over those who’ve passed in a memoir that reads more like an incomplete draft, a manuscript dragged from underneath her still-editing hands to join in time the wave of anti-Trump sentiment saturating the bookshelves for hungry consumers needing answers. Year of the Monkey would not have contributed much new to the conversation, but it was a time when artists felt the urge to speak out and channel their understanding of this slice of human history.

At least, that’s what I thought this book was. Imagine my surprise to discover that Year of the Monkey was published in 2019. Without the solid footing of the context in which they were composed, Smith’s diary-like ramblings feel dated, an echo of an echo of an echo. Much like the dream states Smith tries to recapture, they fade before you wake.

Fourth Wing by Rebecca Yarros

1/5 stars

How’d I find it? After watching readers at Solid State Books clamor for weeks over the store’s trickle of copies, I had to see what all the fuss was about.

Why not 3 or more stars? Jaws can clench, tense, drop, and harden; they can be thrust or jutted or set. But can they tick? Seriously, I am asking. This is one of many (many) linguistic hurdles of Fourth Wing, the first installment of the highly entertaining dragon-riding series by Rebecca Yarros. I inhaled this book gleefully but required frequent breaks because (and I’m going to use Yarros’ darling ellipsis here)…the writing. Some pauses were giggle fits brought on by the narrative billboards that were characters’ names (The love interests? Xaden and Dain.) or by our protagonist’s vagina being described as her “entrance.” Others were little mind puzzles, like ticking jaws (maybe it’s part of this world’s language?) and a wild reveal that you will nevertheless see coming after 450 pages of passive-aggressive flirting and chin cupping. While I recognized some nods to empowerment and identity acceptance that felt fresh, I also noted that Yarros carefully skirts race and oppression in a book run through with classism.

In a society where remakes and products of mass appeal comprise much of our cultural diet, Fourth Wing demands nothing from the consumer, and it’s no surprise. Disappointing, yes, but no surprise. What can I say? I can’t wait to read Iron Flame.