The Buried Giant by Kazuo Ishiguro

4/5 stars

What's it about? In a post-Arthurian England, Axl and Beatrice set out to find their son, relying on traces of memories erased by a mysterious mist that hangs over the land and placates its people. The journey soon becomes a quest illuminated by ogres, a warrior, a strange boy, a knight, and, of course, a dragon. A book-length daydream that lingers.

How’d I find it? I don’t know how this book came to me. A book sale? A yard sale? A box on the street? I do remember reading Ishiguro’s Never Let Me Go on the porch of a beach hut in Zanzibar, the ocean roiling, the wind tearing the pages from my fingers, and stars absolutely everywhere.

Who will enjoy this book? Did you appreciate The Northman or Lauren Groff’s The Vaster Wilds? Try this one out.

What stood out? Many questions remain unanswered in The Buried Giant, creating possibilities that sparkle in the imagination. Possibly the point of a book full of tales told and tales lived by. It’s a tool that Ishiguro wields to anchor the reader firmly in this strange and violent time in human history, when death was its own character and uncertainty an expected frame of mind. We get to see the mud on the proverbial skirts, lending depth to an elusive, tone-heavy novel.

Which line made me feel something? “He had felt as one standing in a boat on a wintry river, looking out into dense fog, knowing it would at any moment part to reveal vivid glimpses of the land ahead. And he had been caught in a kind of terror, yet at the same time had felt a curiosity—or something stronger and darker—and he had told himself firmly, ‘Whatever it may be, let me see it, let me see it.’”